Showing posts with label Met-Museum. Show all posts
Showing posts with label Met-Museum. Show all posts

28 Mar 2016

Le Printemps

If there is one French word whose etymology sounds full of promise and poetry, then Printemps is it. Deriving from Latin primus tempus, Printemps - pronounced [prɛ̃tɑ̃], i.e. with silent '-ps' - heralds the first period of the year. Tempus lends the idea of tempo, rhythm, movement. And as nature is awakening from its Winter slumber, creativity gets the better of it... Take a leaf out of nature's book of inspiration!



Sources: (1) (Cropped) picture of Textile Sample Book from Paris, France, 1862, via The Metropolitan Museum. (2) Custom-Dyed Necklace by natural, vegan London-based dyer Rebecca Desnos. No animals are harmed in the process as all the dyes are plant-based. The botanical colours are soft and eye-pleasing, resembling diluted watercolours. They incorporate natural imperfections, ombrés and gradients. Do check out Rebecca's Instagram for more beautifully-staged plant-dye concepts! (3) Fresco at the Château de Beauvoir, in Échassières (Allier, France), decorated by French artist Claire Basler who works and lives at the château, the best of both worlds indeed! The walls of her abode are flamboyantly decorated in her trademark florals and trees, like the great outdoors have invited themselves in. The fine line separating indoors from outdoors - and that separating the living space from the work studio - is blurred further by dainty posies and larger-than-life bouquets of long-stemmed flowers that the artist scatters in vases around her living/ working space. (4) Nature keeps an eye on the bigger picture always and Spring prepares for Summer bounties! Chamomile ready for tincture (29-July-2015), by Avena Botanicals,an organic herbal apothecary and biodynamic garden set in Rockport, Maine, USA, founded by herbalist and gardener Deb Soule. (5) Ditch the dour face of Winter with a pack-a-punch vitamin smoothie! Spring Green Detox Madness Smoothie by the sunny happy crew over at Hello Glow. (6) The spirit of Spring in the English garden, as crisply captured by Sanderson's Maycott Prints. Pictured is the popular Primrose Hill fabric, in Cherry/ Primrose (Ref: DMAY221940). (7) The fabric is not only used to drape windows but also to upholster armchairs, as demonstrated in this fresh-looking sitting room by Period Living (27-Jun-2013) featuring the Verona Armchair by Multiyork. Photography by Dan Duchars. You just want to sink into that chair and sip on your Green Smoothie (6)... and a naughty slice of cream cake - I know you do! (8) Illustration by Aniko Levai, via Design Sponge (25-Jan-2016).

15 Aug 2015

The Tile Files: Majolica

In interior design and the decorative arts, an Italian noun that rolls off the tongue in a little dance usually has a lot of premise to it, and Majolica is one of those words! Welcome to Mirabelle's monthly design series, The Tile Files. We've had quite a journey so far, from Tomettes to Mosaics, via Azulejos and Delftware, and right now we are about to embrace the wondrousness of Majolica in its bold design, rich decorative layers, deep strong colours and endearing crackled glaze. 

Tin-glazed Earthenware Dish, via The Metropolitan Museum of Art

As much as Majolica is mellifluous by name and by nature, it seems that its heyday is being reinvented by every major art movement. First off, Majolica is a generic term. Scratch its veneer and you find a confluence of timelines and spaces, yet rooted in the same influences. For the purpose of our tile-based research, we aim to concentrate mostly on Victorian Majolica decorative tile, although we need to be aware of other variants of the ware, most notably the decorative tin-glazed earthenware of Maiolica, popular in Italian Renaissance (14th-16th century). The name is believed to be a Medieval Italian reference to the Balearic island of Majorca, a pottery stopover on the Hispano-Moresque wares trade route to Italy. Maiolica ware was mostly used for presentation dishes, drinking vessels and apothecary jars. The designs on the wares depicted a scene or told a story as istoriato wares do.

Art Nouveau Floral Majolica Tile, via Tile Heaven

In general, Victorian Majolica is known to be brightly coloured, richly adorned, layered, moulded and embossed, with emphasis upon florals and curves. Contrasting from the multi-coloured designs are the monochrome ones, which play on the depth and intensity of one single colour, from deep and dark to watered down to a watercolour effect. Closely-guarded trade techniques produce the high-gloss lead-glazed finish, with other effects of translucency and opacity being also achieved. Alongside colour and finish, relief techniques were achieved, by means of cloisonné, tube-lining (a.k.a. slip-trailing), or barbotine (raised painted slip decoration). Stencilled slip tile designs befit the streamlined industrialised processes. Meanwhile the advent of the Arts & Crafts Movement and Art Nouveau will confer Majolica a modernist, angular and voluptuous decorative edge that bridges the gap between the 19th and 20th century.

Art Nouveau Majolica Tile, via Tile Heaven

Historically-speaking, Mintons Ltd. (part of The Minton Tile Companies) is the English pottery manufacturer that is the most associated with Victorian Majolica. The firm started off under Thomas Minton, producing blue transferware for dinnerware, including the popular Chinese-inspired Willow pattern. His son Herbert Minton took the family business to pastures new (with a resolutely modern, design-led approach), branching out into decorative encaustic tiles, and forming partnerships with designers and architects in the process, attending worldwide trade fairs and gaining recognition as high-profile contracts were signed. Minton took on French engineer Léon Arnoux as Art Director and the latter produced Majolica coloured glazes that gained a lot of attention at the Great Exhibition of 1851.

As much as the second half of the 19th century had heralded Majolica's heyday, the 20th century took the fortunes of the English pottery industry as a whole into disarray, through a series of mergers and restructurations that progressively squeezed innovation out of the production model and with it the richness that had been experienced in earlier times. Staffordshire, the pottery county of Britain par excellence, took a hard blow in the process. This bittersweet statement shouldn't prevent us from admiring and appreciating those designs of the past that actually appear so contemporary and fresh through their choice of bold colours and inventive motifs.

Art Nouveau Tile by Sherwin & Cotton, via Art Nouveau Tiles

Sources: (1) Tin-glazed Earthenware Dish, late 14th century, Tuscany, Italy, via The Metropolitan Museum of Art. (2-3) via - and available to purchase from - Tile Heaven. Let us note in passing their interesting history of art section on Majolica. (2) Art Nouveau Floral Majolica Tile, manufactured in the U.K. by Corn Bros, circa 1900, features the popular Victorian and Art Nouveau theme of foliage and florals. The central motif resembles a blue poppy, with a foliage border surround. Interestingly the motifs sit at the intersection between Victoriana and Art Nouveau, with signs of Victorian exuberance, as opposed to the more rigid and restrained (stylised) geometric representations of Art Nouveau, as found for instance in the (3) Art Nouveau Majolica Tile, manufactured by id., circa 1905. Further fine examples of Majolica tiles may be viewed from Tile Heaven. (4) Art Nouveau Tile, circa 1910, by Sherwin & Cotton (1877-1911), via Art Nouveau Tiles. The website boasts a fine Art Nouveau collection, with some stunning examples by the likes of Marsden Tile Works, Alfred Meakin and Pilkington.

15 Apr 2015

The Tile Files: The Hex Factor

Welcome to Mirabelle's brand new monthly design series, The Tile Files. I am passionate about design and what makes a house look balanced, in terms of style identity. Flooring - and in particular floor tiles - feature prominently in my life as an amateur interior designer. A strong observation resulted from this: having had the privilege to visit dozens of properties throughout my life, what I have repeatedly and consistently noticed is how the choice of flooring impacts either positively or negatively upon the overall look and character of a property. It either enhances it considerably - or it unabashedly ruins it!

Exquisite Surfaces

This certainly was the case when a couple of years ago, some friends proudly showed me photos of their house in Normandy (northwestern France) that they had just put up for sale. The kerb appeal was enticing, lovely quaint 19th century country house in a mature garden, with period features retained. However as soon as you pushed the front door, shock horror! You were confronted with a 1980s revisit, complete with the open plan situation that had totally wrecked the expectations, and the cheap and nasty square glazed white tiles grouted black - my pet peeves! What we were left with was a house that had lost its charm and identity altogether.

The Metropolitan Museum of Art
The Metropolitan Museum of Art

However in this series, we will leave design mistakes aside and explore those classic and timeless designs, that have transcended decades - even centuries - and still to this day have stood the test of time, in terms of classical style.

ARTO's concrete versions of the Tomette

Let's start off with the Tomette, the tile that is traditionally associated with the Southern France (Provence and Corsica) of yesteryear. Tomette is a glazed hexagonal clay terracotta tile, in rich earthly tones, sizes may differ. Tomettes have the advantage of keeping a house cool in the Summer. My grandma's house in Corsica had its ground floor tiled in red tomettes, back in 1907, when the family house underwent extensive renovation, still in keeping though with the character of the house.

From personal investigations in unaltered older Corsican properties, I found out that traditional tiles were mostly square-shaped. However hexagonal tiles became vastly popular in the 19th century, up to WWI. I understand they brought a status symbol of comfort and social advancement to houses. After WWI, the popularity of the tomette declined steadily in favour of style incongruities for the older house that, despite bringing urban and modern into the home, defaced the character of many an older property: Granito, Formica, Linoleum, those throughout the 1950s and 60s.

Uncredited picture, via Tumblr

These in turn paved the way for cheap southern imports of mass-produced style-less charmless ceramic tiles. Meanwhille it seems that, driven by market demand for low production costs and a stiff competition from abroad, many a French tile company lost its way, in terms of design.

Fortunately out there, tile designers in the know are aware of the importance of legacy, tradition and sobriety of style. They have realised that old didn't have to mean old-fashioned. And why fix something that is not broken? Thus I am pleased to acknowledge the fact that those traditional French designs of yesteryear are now regaining some popularity on the home turf, while being praised and appreciated outside of France by connoisseur suppliers and customers.

Tabarka Studio
Tabarka Studio

To name but a few of those American tile companies supplying hexagonal terracotta tiles: Exquisite Surfaces, ARTO and Tabarka Studio. Click the links to find out about showrooms, resellers and distributors.

Meanwhile The Tile Files will be back next month, and we'll hit the tiles once more... with grace!

Sources: (1) Made in France, those Antique Hexagon Terracotta Tiles are available in traditional colors from Exquisite Surfaces who describe the tiles herein: "Nothing symbolizes French country flooring more than terracotta. The extraordinary warm colors, the beautiful hues and variations, the hand-molded shapes all define the essence and rustic charm of French country living."

(2-3) Those 15th century hexagonal tiles from New York's Metropolitan Museum of Art testify to the fact that hexagonal is no contemporary tile shape! (2) Hexagonal Tile from Mamluk Egypt, featuring a botanical design. The design of this tile was strongly influenced by Chinese models, in both composition and color. (3) Hexagonal Tile of Islamic culture found in Egypt, featuring the palms of a palm tree.

(4) Collage of four of ARTO's versatile interior/ exterior floor and wall concrete hex tiles that mimic the variegations and handcrafted elegance of terracotta, with extra durability. Clockwise from top left: {1} BB30 6'' Hexagon Normandy Cream Signature Series Tile; {2} BB173 6'' Hexagon Los Angeles Red Flash Vintage Tile; {3} BB44 6'' Hexagon Crème Fraîche Vintage Tiles; and {4} BB174 6” Hexagon San Clemente Vintage Tiles. All of the ARTO products are manufactured with concrete. Production has taken place in Southern California since 1966, in pure artisan style. Besides, all ARTO products are recyclable, and the company is a proud member of the U.S. Green Building Council. More details from their general brochure.

(5) Uncredited picture, via Beautiful Portals, describing the passing of time, and a once-cherished home somewhere in the Middle East now surrendered to the elements. Let's not just pay attention to the bright decorative tiling but also to the intricate frieze details.

(6-7) Tiles by Scottsdale-based Tabarka Studio. (6) Adama 5 (Hex) Artisan Hexagonal Terracotta Tiles are available in organic terracotta shades. "Signifying Earth in Hebrew, (Tabarka's) Adama collection of artisan terracotta tiles have an aged appearance offering the look and allure of centuries old terracotta. Rich in texture and extreme in color variation, these handmade tiles are truly an artisan creation in which no two pieces are exactly alike." (7) Izmir 1 Hexagon Terracotta Floor Tiles add splashes of pattern to floor.

Reclaimed tomettes available from BCA Antique Materials.
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